We’ve been waiting for this moment for a long time—and we’re thrilled to finally share it with you. Welcome to the new home of Emily Pueringer Design Studio, nestled in the heart of downtown Stillwater.
This project has been a true labor of love. When we first stepped into the space, it was difficult to imagine what it could become. Originally built in 1904, the building has a rich history and architectural soul that immediately drew us in. In the 1970s, the late renowned architect Michael McGuire took the building under his wing. Since then, he has lovingly preserved its character through every renovation, maintaining its integrity and unique aesthetic.
That legacy became our guiding light.
As we began transforming the space into our studio, it was essential to honor McGuire’s vision while infusing it with our own creative identity. Emily collaborated closely with McGuire, blending his architectural principles with the textures, colors, and layered details that speak to the EPDS brand. The result is a space that feels timeless yet fresh—rooted in history, alive with creativity.
What was once a storage area for a neighboring restaurant is now a warm, inspiring studio filled with purpose and personality. Every detail was chosen with intention: from antique Delft tiles dating back to the 1800s, to the handwoven Italian tapestry that now hangs as a piece of living art on our wall.
You’ll also find handcrafted dining chairs from Mexico, vintage upholstery fabrics, and a carefully curated palette of paint colors that brings a sense of cohesion and calm to the space. These aren’t just design elements—they’re stories. They reflect our passion for sourcing unique, meaningful materials and our commitment to creating soulful, layered, and deeply personal spaces.
We began the design process with our color palette, led by one of our favorite EPDS brand shades: “Turkish Coffee” by Sherwin Williams. This rich tone welcomes you in the sitting room and leads into the main studio space, where warm exposed brick meets walls painted in “Creamy” by Sherwin Williams. For contrast, we chose “Rojo Marron”—another Sherwin Williams favorite—for the kitchenette cabinetry, adding a grounded, earthy note.
To balance the warmth, we layered in cool, nature-inspired tones through vintage textiles. We custom-made green plaid café curtains that tuck neatly under the kitchenette and adorn the windows, paired with bronze hardware. In the sitting room, you’ll spot one-of-a-kind blue and brown lumbar pillows, a standout vintage fabric we sourced and instantly fell in love with.
We went deep to find materials that told stories. The first treasures we sourced were handcrafted dining chairs from Mexico. After connecting with a vendor clearing out an abandoned antique store—closed for over 20 years—we made the drive, empty vehicles in tow, and returned with a stunning collection of chairs covered in dust, cobwebs, and unmatched beauty.
Next came the kitchenette tile. While we explored several options, we kept circling back to a set of manganese Delft tiles from the 1800s, perfectly preserved. With the help of Google Translate, we worked with a vendor in the Netherlands and had them shipped all the way to Stillwater.
For artwork, we kept our commitment to vintage finds. Our most prominent piece is an oversized Italian tapestry, the focal point when you enter the studio. In the sitting room, a framed raffia cloth from the Democratic Republic of Congo—a rare “Kuba textile”—hangs above the sofa. Nearby are original 1930s magazine renderings of custom furniture, a charming nod to the evolution of design, from hand-drawn sketches to the 4K renderings we present to clients today.